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About
Law Offices of Mark Litwak and Associates
Mark
Litwak
Mark Litwak is an entertainment attorney based in Beverly Hills, California. His practice includes work in the areas of copyright, trademark, contract, multimedia law, intellectual property, and book publishing. As a Producer’s Representative, he assists filmmakers in arranging financing, marketing and distribution of their films. His filmmaker clients have had award winning films in Cannes, Toronto, Telluride and other festivals.
The firm has represented filmmakers who have produced award-winning films such as Prisoner of the Mountain (Director’s Fortnight, Cannes), To End All Wars (Telluride, Toronto), Hustle & Flow (Audience Award, Sundance), and winners of top prize at the Hampton’s International Film Festival (Unconditional Love, Mugshot, and Screen Door Jesus), and DeNadie (winner World Cinema Documentary Audience Award, Sundance 2006). During Sundance 2005, three clients had films acquired for distribution: Hustle & Flow, which won the Audience Award; The Matador and Marilyn Hotchkiss’ Ballroom Dancing and Charm School. Five clients had films exhibited during Sundance 2007 (Black Snake Moan, The Ten, Padre Nuestro, Expired and Fido).
Litwak is the author of six books: Reel Power, The Struggle for Influence and Success in the New Hollywood (William Morrow, 1986), Courtroom Crusaders (William Morrow, 1989), Dealmaking in the Film & Television Industry (Silman-James Press, 1994) (winner of the 1996 Krazna-Kranz award for best book in the world on the film business), Contracts for the Film & Television Industry (Silman-James Press, 2nd Ed. 1999), Litwak's Multimedia Producer's Handbook (Silman-James Press, 1998) and Risky Business: Financing and Distributing Independent Film (Silman-James Press, 2004).
He has contributed articles for The Los Angeles Times, The Business of Film, The Hollywood Reporter, Moviemaker and The Independent. He is the creator of the popular CD-ROM program Movie Magic Contracts.
Mark Litwak earned
a B.A. and M.A. from Queens College of the City University
of New York, and a Juris Doctor degree from the University Of San Diego School
Of Law. Mr. Litwak has been a lawyer for 28 years. After graduation he was admitted
to the bars in New York, California and Washington D.C. His practice today is
based in Beverly Hills, California.
Litwak has been a lawyer for 30 years. He has an AV Peer Review Rating from Martindale-Hubbell and has been named a Southern California Super Lawyer by Law & Politics magazine in 2006 and 2007.
As a law professor he has taught such subjects as entertainment law, copyright, torts and worker’s compensation at such institutions as U.W.L.A., Loyola Law School and the University of Puget Sound School of Law. He has taught entertainment law courses at U.C.L.A. extension for 19 years. Litwak has lectured for continuing legal educations programs of the American Bar Association as well as programs offered by the California and Texas state bar associations. A frequent speaker, he has presented seminars across the United States, and in England, Australia, South Africa and Canada including presentations for the American Film Institute, Columbia University, N.Y.U, U.S.C, the University of British Columbia and the Royal College of Art in London.
Litwak has represented clients in entertainment industry arbitrations. He also serves as an arbitrator on the AAA and IFTA entertainment panels. He has completed several AAA commercial arbitrator training workshops.
His background also includes stints as a television journalist, writing and producing news segments for Telepictures, and as a television producer, with Marble Arch Productions. He is a former Vice President and General Counsel for Dorason, a merchant banking and communications company. Litwak has packaged movie projects and served as executive producer on such feature films as "The Proposal," "Out Of Line" and "Pressure." He has provided legal services or worked as a rep on more than 200 motion pictures.
Litwak has been interviewed
on more than 100 television and radio shows including ABC News, "The Larry King Show," National Public Radio's "All Things Considered," and
CNN. He has been the subject of articles in California Law Business, Australian Lawyer and L.A. Weekly. He is the creator of the Magellan 4 Star site, Entertainment Law Resources, at www.marklitwak.com.
Of Counsel
Glenn
Litwak
Glenn Litwak has represented platinum-selling recording artists in all aspects
of their careers, including artists who have successfully branched out into acting.
He has also represented prominent music producers who have produced for recording
artists such as Destiny’s Child, B2K, Omari, Marques Houston and Ginuwine.
Glenn Litwak has negotiated recording agreements for artists who have been signed
(through production deals) to major record labels such as Sony Music (Epic Records),
Interscope (A&M Records), and Warner Music. He has represented recording
artists who have been signed (through production deals) to such labels as Elektra,
Atlantic, and Universal Music Group. Glenn Litwak also has experience in negotiating
music publishing deals with publishers such as EMI Music, Zomba, and Notting
Hill Music.
Glenn Litwak
has extensive
experience and expertise in representing teen R&B/Pop
groups in all aspects of their careers, including the platinum selling group “B2K” and “Immature” (which
later became “IMX”). In the motion picture and television fields,
Glenn Litwak represented ten individuals involved in the 2004 hit movie “You
Got Served,” including the writer-director, five of the stars and two of
the producers.
Glenn Litwak
has handled more
than 100 trials and arbitrations over the last 25 years. He
has extensive experience in handling a wide variety of Civil
Litigation including breach of contract cases, fraud, unfair
competition, copyright infringement and personal injury claims.
Trials successfully handled by Glenn Litwak have appeared
in the “Verdicts and Settlements” section
of the Los Angeles
Daily Journal, the largest legal newspaper in the country.
His cases have been reported in the press by the Los Angeles
Times, the Los Angeles Daily Journal and the Hollywood Reporter.
Glenn Litwak
has been profiled
in California Law Business Magazine (February 1998). He has
also been interviewed on a number of television shows including:
Celebrity Justice, Inside Edition, “Xtra,” and Fox Cable News.
Glenn Litwak
has been a speaker
at entertainment law seminars at UCLA Law School, Loyola Law
School, and for the California Lawyers for the Arts and the
California Alliance of Paralegal Associations. He teaches
a seminar entitled “Self
Defense in the Music Industry” at the UCLA Extension, Entertainment Studies
Program.
Pete
Wilke
Pete Wilke is a Los Angeles entertainment and "SEC" attorney
(private placement, Regulation D and public offering securities).
Pete Wilke has been practicing law for more than 25 years. He
specializes in helping film producers start their businesses and
provides investor documentation and securities law compliance
for the financing of their independent films. He provides movie
production legal services for indie films and advises producers
on movie distribution relationships.
Stella
A. Havkin
Stella A. Havkin is a 1984 magna cum laude graduate of
York University in Toronto, Canada with a B.A. in Political
Science and Psychology. In 1987, Ms. Havkin graduated
with a Juris Doctor Degree from the University of California,
Hastings College of Law. While at Hastings, she was Associate
Note Editor on the Hastings International and Comparative
Law Review. Her Note, entitled “The Foreign Sovereign
Immunities Act: The Relationship Between the Commercial
Activity Exception and the Noncommercial Tort Exception
in Light of De Sanchez v. Banco Central de Nicaragua" was
published in Volume 10:2, September, 1987 and was selected
for publication on Westlaw. Since graduating from Hastings
in 1987, Ms. Havkin has practiced primarily in business,
commercial and bankruptcy law. Among others, she has represented
landlords, financial institutions, creditors and debtors.
She has developed an expertise in collections on behalf
of creditors and financial institutions which has required
litigation in Texas and Florida.
Jim
Talbott
Attorney,
technologist
and author Jim Talbott is an expert in entertainment,
technology and new media law. His expertise spans the
entire spectrum of intellectual property and technology
matters, throughout the digital and traditional media
worlds. He is also a practicing television and computer
engineer, with decades of experience in the field.
Jim Talbott
has been the
Senior Director of Licensing and Business Affairs for Mforma
Americas, Inc. a mobile game and information publisher and
distributor. He has taught entertainment and intellectual
property law at Loyola University in Los Angeles and is a
member of the Screen Actors Guild, the American Bar Association
and the Society of Motion Picture and Television Engineers, in addition to being
the Chairman of the Standards Committee of the Interactive Television Association
and a member of the Interactive Television Peer Group of the Academy of Television
Arts and Sciences.
As a writer,
Jim Talbott is
an author, editor and frequent lecturer on digital media-related
legal issues. He has authored and co-authored several legal
books, including the popular New Media: Intellectual Property,
Entertainment, and Technology Law published by Clark Boardman.
His articles have also appeared in the American Bar Association’s
Entertainment and Sports Lawyer and The European Intellectual
Property Review among others. Topics include: Intellectual
Property Law, Entertainment & Technology,
Copyrights, Unfair Competition, Regulation of the Internet, and Software Taxation.
He is invited to speak all over the world, and has presented at the Cannes Film
Festival, MIP-TV, American Bar Association Forum on Entertainment and Sports
Law, Screen Actors Guild and the Banff New Media Festival.
You may communicate
the attorneys
affiliated with this firm by e-mail. However, such communications
in connection with a matter for which the firm does not already
represent you, may not be treated as privileged or confidential. An attorney-client
relationship can only be created with a written retainer agreement signed by
both parties.
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